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Jeremy BLAKE

New York 1971 – 2007


  • 2017
    • «Station to Station», Honor Fraser, Los Angeles
    • «Tribute», Aeroplastics Contemporary, Brussels, Belgium
  • 2010
    • “Strassenkunst”, Richmond, Virginia
  • 2009
    • “Depth of Perception”, Marin Museum Of Contemporary Art: Novato, California
  • 2008
    • First Annual Juried International Art Exhibition. Juror: Myriam Rotzetter.
    • Paula Barr Chelsea Gallery: New York, New York
    • 1212 Gallery National Juried Photography Exhibition. Juror: Dr. Carol
    • McCusker, Curator: Museum of Photographic Arts, San Diego, California. 1212 Gallery: Richmond, Virginia
    • zero: Juried Group Exhibition. Jurors: Michelle Bufano, Catherine Person, Norie Sato. Columbia City Gallery: Seattle, Washington
    • The Circular Exhibition: New York & Seoul. Gallery Ho: Seoul, Korea
    • The Circular Exhibition: New York & Seoul. Hun Gallery: New York,
      New York
    • Photography Re-Imagined. Juror: Christopher James. Tilt Gallery: Phoenix,
    • Photowork 2008, 21st Annual National Juried Photography
    • Exhibition. Juror: Donna Ruskin, International Center of Photography
    • (ICP): New York, New York. Barrett Art Center: Poughkeepsie, New York
    • Unrefined Light. The Foundry Art Center: St. Charles, Missouri
    • Sixth National Juried Exhibition, Organization of Independent Artists.
      New York, New York
    • Jeremy Blake. Videos. Galería Leyendecker. S/C de Tenerife., España
  • 2007
    • “Jeremy Blake: Memorial exhibition”, Kinz + Tillou, New York
    • Wild Choir: Cinematic Portraits by Jeremy Blake, Corcoran Gallery of Art,
      Washington, D.C.
    • Sodium Fox and Recent Works, Galerie Ghislaine Hussenot, Paris, France
  • 2006
    • Jeremy Blake, Honor Fraser Inc, Vence, CA Winchester, Bruna Soletti, Milan
    • Winchester, Nerman Museum of Contemporary Art, Overland Park, Kansas
  • 2005
    • Sodium Fox, Feigen Contemporary, New York
    • Winchester, San Francisco Museum of Modern Art, CA
    • Recourse Lost, Jeremy Blake: The Winchester Trilogy, Cleveland Institute of Art, Cleveland, OH
    • Galerie Tanit, Munich, Alemania.
  • 2004
    • Centro de Arte Caja de Burgos, Burgos, España
    • Galería Ghislaine Hussenot, Paris, Francia
    • I shot the Sheriff, Sister, Los Angeles, CA
    • Jeremy Blake: Winchester Trilogy, Art Gallery of York University, York
      University, Toronto, Canada
    • Galería Leyendecker, Tenerife, España
  • 2003
    • Autumn Almanac, Feigen Contemporary, New York NY
    • Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
    • The 59th Minute: Video Art on the Times Square Astrovision, sponsored by
      Creative Time and Panasonic, New York, NY
  • 2002
    • Museum of Contemporary Art, San Diego, San Diego, CA
    • Mod Lang, Blaffer Gallery, University of Houston, Houston, TX
    • Galerie Ghislaine Hussenot, Paris, France
    • Galerie Tanit, Munich, Germany
  • 2001
    • Mod Lang, Feigen Contemporary, New York, NY
    • Disappearing Floor, Dorothée DePauw Gallery, Brussels Belgium
    • Angel Dust, XYZ, Toronto, Canada
      Chemical Sundown, Dot, London, England
    • The Fourty Million Dollar Beatnik, Works on Paper, Inc., Los Angeles, CA
  • 2000
    • Jeremy Blake: Bungalow 8, The Contemporary Arts Center, Cincinnati, OH
    • Jeremy Blake: Digital Projections, Pennsylvania Academy of the Fine Arts,
      Philadelphia, PA
    • Jeremy Blake: Statements, Art Basel 2000, Basel, Switzerland
    • Angel Dust, Feigen Contemporary, New York, NY
    • Jeremy Blake: Angel Dust and Other Works, Schusev Museum of
      Architecture, Moscow, Russia
    • Jeremy Blake: Angel Dust, Gallery of Art, Johnson County Community College, Kansas
  • 1999
    • Sucking in the Seventies, Recent Works/Jacob Fabricius, Copenhagen,
    • Bungalow 8, Feigen Contemporary, New York, NY
    • One Hit Wonder, Works On Paper Inc., Los Angeles, CA


  • 2017
    • Doing identity. Die Sammlung Reydan Weiss Kunstmuseum Bochum Bochum
    • My MusicArken Museum of Modern ArtIshoj Denmark
    • 186AEROPLASTICS contemporary Brussels Belgium
  • 2016
    • Mir ist das Leben lieber / I Prefer Life – Sammlung Reydan WeissWeserburg |
      Museum für moderne Kunst, Bremen, Germany
    • Private Exposureme Collectors Room Berlin, Berlin
    • Forever Bubox Kortrijk Belgium
      2015 The Mirror of Illusion Galerie Tanit – Munich
  • 2014
    • “Maximal / Minimal”, Kinz + Tillou Fine Art, NY
  • 2012
    • “Grand Prix de la Decouverte:Jurors Awad of Merit”, París, France
  • 2011
    • “BWAC Wide Open 2”, Juror: Nathan Trotman, Solomon R. Guggenheim
      Museum. Brooklyn Waterfront Artists Coalition: Brooklyn, New York
    • “International Survey Of Contemporary Art”, Juror: Pamela Grau. Crussell
      Fine Arts: Orange, California
    • “Blink! Light, Sound & the Moving Image”, Denver Art Museum, Denver
  • 2010
    • “Rap 10”, Crussell Fine Arts, Orange, Virginia
    • “Psychedelic: Optical and Visionary Art since the 1960´s” , Memorial Art Gallery
      of the University of Rochester, New York
    • “Go West”, Salt Lake Center, Salt Lake City. Utah
    • “Dying in Spite of the Miraculous”, Gertrude Contemporary Art Spaces,
    • “Psychedelic: Optical and Visionary Art since the 1960´s” , San Antonio
      Museum of Art, San Antonio, Texas
  • 2009
    • “The moving image: Scan to Screen, Pixel to Projection II”, Orange Country
      Museum of Art, Newport Beach
    • “The Old, Weird America: Folk Themes in Contemporary Art”, DeCodova
      Sculpture Park and Museum, Lincoln, MA
    • “Abstract Cinema & Technology”, Museum of Contemporary Art (MOCA), Miami
    • “Animated Paintings”, Faulconer Gallery, Grinell. IA
  • 2008
    • “In transition Russia 2008”, National Center for Contemporary Art (NCCA),
    • “Wall Rockets: Contemporary Artists and Ed Rusha”, FLAG Art Foundation, New
    • “In and Out of Time: Selections from the CU Art Museum´s video Collection”,
      Boulder Museum of Contemporary Art, Boulder, CO
    • “Signals: a Video Showcase – California Scenarios”, Orange Country Museum of
      Art, Newport Beach
    • “That was Then… This is Now”, MOMA PS1, New York
    • “The Old, Weird America”, Contemporary Art Museum Houston, Houston
  • 2007
    • Animated Painting, San Diego Museum of Art, San Diego, CA
    • The 59th Minute Retrospective, Times Square, NY
    • Pervasive Animation Programme One, Tate Modern, London, England
    • Meme: Romanticism, curated by Michele Thursz, EFA Gallery, New York, NY
  • 2006
    • The Searchers, White Box, New York, NY
    • Disaster! One Year After, curated by Nina Felshin, Ezra and Cecile Zilkha
      Gallery, Middletown, CT
    • The Gospel of Lead (with Dario Robleto), curated by Regine Basha, Arthouse,
      Austin, Texas (cat.)
  • 2005
    • Impakt Festival 2005, Utrecht, the Netherlands
    • All the Pretty Corpses, The Renaissance Society at The University of Chicago, Chicago, IL
    • Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal,
      Center for Art and Visual Culture, University of Maryland, Baltimore County, MD
    • Dreaming of a More Better Future, The Reinberger Galleries, Cleveland, OH
    • Afterall, curated by Charles Esche, apexart, New York, NY
    • Extreme Abstraction, Albright-Knox Art Gallery, Buffalo, NY
    • Staging the Real, Projects at Clifford Chance, New York, NY
    • Techno/Sublime, CU Art Museum, University of Colorado at Boulder, CO
  • 2004
    • Floor to Ceiling/Wall to Wall, Wadsworth Atheneum Museum of Art, Hartford,
    • Whitney Biennial, Whitney Museum of American Art, New York, NY
    • One Channel Only, Atrium Gallery, University of Connecticut School of Fine Arts, Storrs, CT
    • Paranormal, Aeroplastics Contemporary, Brussels, Belgium
    • Breathtaking, The Art Institute of Boston, Lesley University, Boston, MA
  • 2003
    • Animations, Kunst-Werke Berlin, Berlin, Germany
    • Mystic, Massachusetts College of Art, Boston, MA
    • Social Strategies: Redefining Social Realism, University Art Museum, University of California, Santa Barbara, CA, curated by Klaus Ottmann and Pamela
    • Auchincloss (traveling to DePauw University Art Gallery, Greencastle, IN)
    • Imag(in)ing Architecture, The University of Connecticut Center for Visual Arts and Culture, Storrs, CT
      VideoMix, Arario Gallery, Cheonan-si, Korea (catalogue)
  • 2002
    • Whitney Biennial, Whitney Museum of American Art, New York, NY
    • Painting Without Painting, Museum der Bildenden Künste Leipzig
    • Looking At America, Yale University Art Gallery, New Haven, CT
    • Claude Monet and Abstraction: Kandinsky – Rothko – Richter up to Digital Impressionism, Fondation Beyeler, Basel, Switzerland
    • Remarks on Color, Sean Kelly Gallery, New York, NY
  • 2001
    • New Works, Feigen Contemporary, New York, NY
    • 010101: Art in Technological Times, San Francisco Museum of Modern Art, San Francisco, CA (catalogue)
    • BitStreams, Whitney Museum of American Art, New York, NY
    • New Settlements, Nikolaj Copenhagen Contemporary Art Center, Copenhagen,
    • The Approximative, Ghislaine Hussenot Galerie, Paris, France
    • Duchamp’s Suitcase, Arnolfini Gallery, Bristol, England Compression, Feigen Contemporary, New York, NY
    • Metropolis Now, Borusan Sanat Galerisi, Istanbul, Turkey (catalogue)
  • 2000
    • Maximal Minimal, Feigen Contemporary, New York, NY
    • Offensive Malerei, Lothringer 13, Munich, Germany
    • Elysian Fields, Centre Georges Pompidou, Paris, France (catalogue)
    • Greater New York, Museum of Modern Art/P.S. 1, New York, NY (catalogue)
    • Whitney Biennial, Whitney Museum of American Art, New York, NY (catalogue)
    • A Salon for the 21st Century, John Weber Gallery, New York, NY
    • 3ness, Museum Dhondt-Daenens, Deurle, Belgium (catalogue)
    • Pict, Walter Phillips Gallery, The Banff Centre for the Arts, Alberta, Canada
    • Scanner, California College of Arts and Crafts, San Francisco, CA (brochure)
  • 2000
    • Años Luz, Instituto Oscar Dominguez, Area de Cultura, Canary Islands
    • Scopophilia (pleasure in looking), The Contemporary Arts Center, Cincinnati,
    • New Settlements, Louisiana Museum, Denmark
  • 1999
    • Fifteen, The Lobby Gallery, Deutshe Bank, New York, NY
    • Re-Structure, Grinnell College, Bucksbaum Art Gallery, Grinnell, IA
    • Whippersnapper, Vedanta Gallery, Chicago, IL
    • Good Vibrations, Tomio Koyama Gallery, Tokyo, Japan
    • Flaming June, Works On Paper, Inc., Los Angeles, CA
    • One Dot Zero, Institute for Contemporary Art, London, England
    • Formulas For Revelation, The Rotunda Gallery, Brooklyn, NY
    • Conduit Digital Film Festival, University of Texas, Austin, TX
    • Exploding Cinema, Rotterdam International Film Festival, The Netherlands (catalogue)
    • Hollywood Realism: Michael Auder & Jeremy Blake, Produced by Yvette
      Brackman, Venetia Kapernekas Inc., New York, NY
  • 1998
    • The History of Glamour, Works On Paper Inc., Los Angeles, CA
    • Oriental Nights, Gavin Brown’s Experience, New York, NY
    • The History of Glamour, Bronwyn Keenan Gallery, New York, NY
    • Spectacular Optical, Thread Waxing Space, New York; Miami Museum of
      Contemporary Art, Miami, FL; University of Colorado Art Gallery, Boulder Inglenook II, University of Illinois,Normal, IL
    • Pets, Bronwyn Keenan Gallery, New York, NY
    • Inglenook, Feigen Contemporary, New York, NY
    • Jeremy Blake:Silver Hill, Bronwyn Keenan Gallery, New York, NY
  • 1995
    • Heaven’s In the Backseat of My Cadillac, Name Gallery, Chicago, IL
  • 1994
    • Aftershocks, Los Angeles Museum of Contemporary Art, Los Angeles, CA