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MarK DAGLEY

For the past three decades, Mark Dagley has displayed his work both nationally and internationally. During the 1980s, Dagley was active in the East Village abstract painting scene and exhibited alongside other pioneering abstract painters, including Max Gimblett and James Nares. His formal interests include grids, dots, tapered lines and other related geometric and neo-optical nuances. For medium, Dagley enjoys heavy impasto, stains and working with a raw canvas. Dagley’s most important exhibition where his work was featured in was the groundbreaking group exhibition “Post-Hypnotic.” “Post-Hypnotic” traveled across the United States from 1999-2001. Dagley’s work has worked with a variety of galleries world wide including Galeria Mar Estrada (Madrid, Spain) and Galerie Hans Strelow (Düsseldorf, Germany). Today, Dagley is a member of American Abstract Artists. His work is often reviewed and discussed in prominent art journals such as Artforum, Artnet Magazine and The Brooklyn Rail. Dagley continues to create art work today in New Jersey.

SOLO EXHIBITIONS

2017

“Radical Structures”, Spencer Brownstone Gallery, NY

2015

“Selected Works 1989-2015”, Martinee 54, New York

“Ars Combinatoria”, Galerie Caesar, Czech Republic

2013

“Recent Paintings”, Hamilton Square, New Jersey

2012

“Minus Space, Structural Solutions”, Kent Place Gallery, 35 Year Overview, Summit, New Jersey

2008

Shaped Canvas, Selections from 1987, Minus Space, New York

Minus Space, Brooklyn, NY

2006

Abaton Garage, New Jersey

Mark Dagley. New Installation & Publication

2004

Abaton Garage, New Jersey

Mark Dagley “Holding$”. Works on Paper 2004-2005. Up& Co, Nueva York.

Up & Co, NYC / London

1998

Galería Leyendecker, Tenerife

“Recent wall reliefs”, Washington,octubre.

1997

Galeria Hans Strelow, Düsseldorf, Alemania

1996

Earl MacGrath gallery, New York

1994

Buades-Quintana, Madrid

Galería Leyendecker, Santa Cruz de Tenerife.

1993

Galería Mar Estrada, Mallorca.

“Radical Structures”, Galería St. Gallen, Suiza.

1992

Galería Stephanie Theodore, Nueva York.

Office Reiner Opoku, Colonia.

“Radical Structures”, Galería Harry Zellweger, Basel.

Galería Mar Estrada, Madrid.

Galería Hans Strelow, Duseldorf.

1991

Galería Stephanie Theodore, Nueva York.

Galería Tony Shafrazi, Nueva York.

Galería Provincia, Zaragoza.

1990

Galería Mar Estrada, Madrid.

Galería Swart, Amsterdam.

1989

Galería Hans Strelow, Düsseldorf.

Contemporanei, Estudio de Arte Harry Zellweger, Lugano.

1988

Galería Mar Estrada, Madrid.

Galería Swart, Amsterdam.

1987

Galería Tony Shafrazi, NY.

Galería Leyendecker, Santa Cruz de Tenerife.

GROUP EXHIBITIONS

2018

“Beyond Black and White”, Westbeth Gallery, New York City, NY

2017

“1107 Manhattan Ave”, Spencer Brownstone Gallery, NY

“The Carpet Kartell”, Tanja Grunert, NY

“Repeating Sequence: 1967-2006”, W. Alexander, Brooklyn, NY

2016

“Esenciales: Obras de pequeño formato en la Colección CAAM”, San Martín

Centro de Cultura Contemporánea, Las Palmas de Gran Canaria, Spain

“Chromatic Space”, Shirley Fiterman Art Center, NYC, Curated by Jonathan D.

“Lippincott The Onward of Art”, 1285 Avenue of the Americas Gallery, curated by Karen Wilkin Carpet Kartell, Tanja Grunert Gallery, NYC

2015

“Geometric Obsession – American School 1965-2015”, Museo de Arte
Contemporáneo de Buenos Aires

“Between Liminal and Subliminal”, Elberson Fine Arts Center, Salem College, Winston-Salem, NC

“Ars Combinatorial”, w/ Daněk, Preschoux, Urbásek, Gallery Caesar, Olomouc, Czech Republic

“Made in DC: Washington Color School and more”, Bethesda Fine Art, Bethesda

“Elements”, Minus Space, Brooklyn, NY

“Nation III: Circle the Wagons”, Sideshow Gallery, Brooklyn, NY

2014

“Sensory Impact”, Morgan Stanley & Co., Purchase, NY

“To Leo: A Tribute from American Abstract Artists”, Sideshow Gallery, Brooklyn, NY

“NY Elementare Malerei”, Kunstmuseum St. Gallen, St. Gallen, Switzerland

“Triangles”, Ventana 244, curated by Melissa Staiger, Brooklyn NY

“Homage to the Stripe”, Bethesda Fine Art, Bethesda, MD

“Sideshow”, Nation II: At The Almo, Brooklyn, NY

“Paperazzi!” Janet Kurnatowski Gallery, Brooklyn, NY

2012

St. Moritz Art Masters, St. Moritz, Austria

“STRUCTURAL SOLUTIONS”, Minus Space, Brooklyn, NY

“Buzz”, Nara Roesler Gallery, Sao Paulo, Brazil

“Material Tak”, Panepinto Gallery, Jersey City

“Transformation-Transcreation”, Hogarth Worldwide

“Minus Space en Oaxaca” Instituto de Artes Gráficas en Oaxaca.

“Minus Space with Gilbert Hsaio & Gabriele Evertz”, The Suburban, Illinois

“MIC: CHECK”, Sideshow Gallery, Brooklyn, NY

“Paperazzi!”, Janet Kurnatowski Gallery, Brooklyn, NY

“American Abstrac Artist International – 75 aniversary”, Paris Concret, Francia

“33 Años Después, Una Hora Antes”, Galería Leyendecker, España

2011

“An Exchange with Sol Lewitt”, Massachusetts Museum of Contemporary Art – MASS MoCA, North Adams, MA

ABSTRACTION (Abstraction to the Power of Infinity), The Icebox and Grey Area, Crane Arts, Philadelphia

“American Abstract Artists” 75th Anniversary, Galerie Oqbo, Berlin

“Action Abstraction”, Mark Gallery, Englewood, New Yersey

“American Abstract Artist’s International 75th Anniversary”, OK Harris Gallery, NY

“Non-Objectif Sud Fundraiser”, Bortolumi Gallery, NYC

“It’s all Good, Apocalypse Now”, Sideshow Gallery, Brooklyn NY

“No Favors”, curated by Christine Krol, Bar Olivino, Brooklyn, NY

2010

Splendid Energy, Jersey City Museum, Jersey City, New Jersey International, American

Abstract Artists, Aragonese Castle, Otranto, Italy Wall to Wall, Daniel Weinberg Gallery, Los Angeles, CA

Momenta Art Benefit 2010, Momenta Art, Brooklyn, NY

Source, The City University of New York, Curated by Melissa Staiger and Susan Ross

Portrait de l’artiste en motorcycliste, Musée des beaux-arts de La Chaux-
de-Fonds, Switzerland

Escape from New York, Curated by Matthew Deleget, Massey University,
Wellington, NZ

Paper Works, Gallery Janet Kurnatowski, Brooklyn, NY

It’s A Wonderful Life 10, Sideshow Gallery, Brooklyn, NY

Non-Objectif Sud Fundraiser, Robert Goff Gallery, NYC

2009

Portrait de l’artiste en motorcycliste, Centre National d’art Contemporain
de Grenoble, France

Forever Summer, Denise Bibro Fine Art, Platform Space, NYC

Escape from New York, Project Space, RMIT University, Melbourne, Australia

2009

Non-Objectif Sud Fundraiser, Gary Snyder Project Space, NYC, NY

GeoMetrics II, 128 Gallery, NYC

Linear Abstraction, McKenzie Fine Art, NYC, NY

It’s A Wonderful Life 9 Sideshow Gallery, Brooklyn, NY

2008

Minus Space, P.S.1/MoMA L.I.C. NY

KÜF – MOLD, The Centraale/ Jan Colle Gallery, Gent, Belgium

American Abstract Artists ~ Tribute to Esphyr Slobodkina, The Painting Center

The No Milk Today Show curated by Billy Miller, Autoversion LTD, NYC, NY

The Other Side, curated by Billy Miller, Gallery 58, Jersey City, NJ

Shape Shifters, Sideshow Gallery, Brooklyn,

Shape Shifters, curated by James Biderman, University of North Carolina,
Pembroke, NC,

2007

2007 Flux Factory Benefit Hungarian Cultural Center, New York, NY

Nyehaus becomes Indica NyeHaus, NYC

The Annunciation in Contemporary Art, College of Saint Elizabeth, Morristown, New Jersey

Works on Paper, Long Beach Island Foundation of the Arts and Sciences
Escape From New York, Sydney Non Objective, curated by Matthew Deleget, Sydney

Dagley/ Voisine, McKenzie Fine Art Inc, New York, NY

2006

Riflemaker Becomes Indica , Riflemaker Gallery, London, England

1×1 Jersey City Museum, New Jersey

O The Shore Institute of Contemporary Art (Curated by MatCh-Art) O The Berrie Center For the Performing and Visual Arts, Ramapo College of New Jersey

Flux Factory Benefit, Lennon Weinberg Gallery, New York, NY

2005

Seriality, Axel Raben Gallery, NYC

Good Vibrations. McKenzie Fine Art Inc., New York.

2004

“Mark Dagley, James Nares, Curtis Anderson”, Galeria Leyendecker, Tenerife

2001

Dagley- Sculpture/Schwarz- Photographs – Dusks Gallery Jersey City, NJ

Post-Hypnotic, Philharmonic Center for the Arts, Naples, FL

Post-Hypnotic, The Tweed Museum, University of Minnesota, Duluth, MN