Skip to content

RICHARD MOSSE

ES La fotografía de Richard Mosse captura la belleza y la tragedia de la guerra y la destrucción. Mosse ha fotografiado restos de aviones abandonados en los rincones más remotos del planeta y los antiguos palacios de Uday y Saddam Hussein, ahora ocupados por las fuerzas militares estadounidenses. Su serie Infra documenta la guerra en curso entre facciones rebeldes y el ejército nacional congoleño en la República Democrática del Congo. La serie Infra se caracteriza por el uso de Kodak Aerochrome, un filme infrarrojo de reconocimiento discontinuado. Este filme registra la clorofila en la vegetación viva. El resultado es una representación surrealista y exuberante de la selva tropical congoleña, con tonos rosados y rojos. Mosse explicó en una entrevista con The British Journal of Photography: “Quería exportar esta tecnología a una situación más dura, subvertir las convenciones genéricas de los relatos calcificados de los medios masivos y desafiar la forma en que se nos permite representar este conflicto olvidado… Quería confrontar esta tecnología de reconocimiento militar, usarla reflexivamente para cuestionar las maneras en que se construye la fotografía de guerra.”

 

EN Richard Mosse’s photography captures both the beauty and tragedy of war and destruction. He has photographed abandoned aircraft wrecks in some of the world’s most remote locations, as well as the former palaces of Uday and Saddam Hussein, now occupied by U.S. military forces. His Infra series documents the ongoing conflict between rebel factions and the Congolese national army in the Democratic Republic of Congo. Infra is characterized by the use of Kodak Aerochrome, a discontinued infrared reconnaissance film that registers chlorophyll in living vegetation. The result is a surreal, lush depiction of the Congolese rainforest in vivid pink and red tones. In an interview with The British Journal of Photography, Mosse explained: “I wanted to export this technology into a harsher context, to subvert the generic conventions of ossified mass media narratives and challenge how we are allowed to represent this forgotten conflict… I wanted to confront this military reconnaissance technology, to use it reflexively to question the ways in which war photography is constructed.”

EDUCACIÓN

2006–2008 Yale School of Art. Photography MFA

2004–2005 Goldsmiths. Postgraduate diploma in Fine Art, AHRB funding

2002–2003 London Consortium. MRes in Cultural Studies

1998–2001 Kings College London. BA in English Literature

COLECCIONES PÚBLICAS

21C Museum, Louisville, KY

The Alfond Collection of Contemporary Art for Rollins College, Cornell Fine Arts Museum, FL

The Arts Council / An Chomhairle Ealaíon, Dublin, Ireland

Cleveland Museum of Art, OH

The Colby College Museum of Art, ME

The Dale and Doug Anderson Collection, Miami, FL

Denver Art Museum, Denver, CO

Foam Museum, Amsterdam, Netherlands

The Hiscox Collection, San Francisco, CA

Institute of Contemporary Art, Boston, Boston, MA

Irish Museum of Modern Art, Dublin

Joslyn Art Museum, Omaha, NE

The Kemper Museum of Contemporary Art, Kansas City, MO

Kiran Nadar Museum of Art, New Delhi

The Kramlich Collection, San Francisco, CA

Musée d’Elysée, Lausanne, Switzerland

Musée des beaux-arts de Montréal, Canada

Musée de I’Armée, Paris, France

Museum of Contemporary Art, Chicago, IL

Museum of Fine Arts, Houston, TX

Nelson Atkins Museum, Kansas City, MO

National Gallery of Victoria, Australia

National Gallery of Art, Washington, DC

North Carolina Museum of Art, Raleigh, NC

Orlando Museum of Art, FL

Perez Art Museum, Miami, FL

Philadelphia Museum of Art, Philadelphia, PA

Portland Art Museum, OR

SFMOMA

Sheldon Museum of Art, Lincoln, NE

Smart Museum, San Francisco, CA

Statoil Art Collection, Norway

Tate, London, United Kingdom

Toledo Museum of Art, OH

The Victoria and Albert Museum, London

Weatherspoon Art Museum, Greensboro, NC

The Martin Z. Margulies Collection, Miami, FL

PREMIOS, BECAS Y RESIDENCIAS

2025 Richard Mosse, Residencia artística para Terraforms, Galería Leyendecker, Tenerife, ESP

2023 PREMIO S+T+ARTS, Gran Premio: Colaboración innovadora, Linz, Austria

2020 The Royal Photographic Society Honorary Fellowship

2017 Premio Prix Pictet. Londres, GBR

2016 Co-comisión de la National Gallery of Victoria y The Barbican Art Gallery para crear Incoming

2015 Programa de artistas visitantes: Visiting Minds Lasing Influence, School of the Art Institute of Chicago

2014 Premio Deutsche Börse de Fotografía. Londres, GBR

2012

Residencia. Künstlerhaus Bethanien, Berlín, DEU

European Cities of Advanced Sound Commission, ECAS Network

Falk Visiting Artist, Weatherspoon Art Museum, Greensboro, Carolina del Norte

Visual Arts Bursary, Arts Council of Ireland

EXPOSICIONES INDIVIDUALES

2025

Richard Mosse, Terraforms, Galería Leyendecker, Tenerife, ESP

Richard Mosse, Broken Spectre, Madison Museum of Contemporary Art, Madison, WI, November 15, 2024 – February 16, 2025

2024

Richard Mosse, Broken Spectre, Museum of Nature and Archaeology in collaboration with Galería Leyendecker, Tenerife, ESP

Broken Spectre, Phi Centre Installation, Montreal, CAN

Broken Spectre. Photo Elyée, Lausanne, CH

Richard Mosse, Broken Spectre, Jack Shainman Gallery, 46 Lafayette Street, January 12 – March 16, 2024.

Richard Mosse: Broken Spectre, Phi Centre, Montreal, Quebec, May 22 – July 3, 2024.

Richard Mosse:Broken Spectre, Carlisle Memorial Church, Belfast Photo Festival, June 7 – 23, 2024.

2023

Richard Mosse: Broken Spectre, Photo Elysee, Lausanne, France, November 3, 2023 – February 25, 2024.

Richad Mosse: Broken Spectre, S+T+ARTS Prize Exhibition, Ars Electronica Festival 2023, Linz, Austria, September 6 – 10, 2023.

Richard Mosee: Broken Spectre, Minnesota Street Project, San Francisco, CA, May 11 – July 8, 2023.

Richard Mosse: Broken Spectre, Converge 45 – Hoffman Gallery at Lewis & Clark College, Portland, OR, August 24 – December 15, 2023.

Richard Mosse: Broken Spectre, Olivier Varenne, Geneva, Switzerland, March 2 – July 31, 2023.

Broken Spectre. National Gallery of Victoria, Melbourne, AUS

Richard Mosse: Occidental. Altman Siegel, San Francisco, USA

2022

Broken Spectre. 180 Studios, 180 The Strand, London, GBR

Richard Mosse, The Kunsthalle Bremen, Bremen, Germany, March 26 – July 31, 2022.

Tristes Tropiques. Jack Shainman Gallery, New York, USA

2021

Incoming and Grid (Moria). Butler Gallery, Kilkenny, IRL

2021

Incoming and Grid (Moria), Butler Gallery, Kilkenny, Ireland, June 11 – August 29, 2021.

Displaced. Migrazione Conflitto Cambiamento Climatico. Fondazione MAST, Bologna, ITA

Infra – Richard Mosse, Varmlands Museum, Karlstad, Sweden, June 19 – August 22, 2021.

2020

Richard Mosse. Carlier / Gebauer, Berlin, DEU

Incoming. San Francisco Museum of Modern Art, San Francisco, USA

Incoming. National Gallery of Art, Washington, USA

2019

Incoming. Gallery of Contemporary Art Bunkier, Kraków, POL

Ultra. Altman Siegel Gallery, San Francisco, USA

Incoming. Le Lieu Unique, Nantes, FRA

2018

The Castle. Joslyn Art Museum, Nebraska, USA

The Castle. MAC Museum, La Coruña, ESP

Incoming. Minneapolis Institute of Art, Minneapolis, USA

The Castle. Galería Leyendecker, Tenerife, ESP

Richard Mosse. Joslyn Art Museum, Nebraska, USA

Beyond Here Lies Nothin. Arcadia University, Philadelphia, USA

The Castle. Arsenal Contemporary Toronto, CAN

2017

The Castle. Carlier Gebauer, Berlin, DEU

Richard Mosse: The Curve. National Gallery of Victoria, Melbourne, AUS

Richard Mosse: The Curve. Barbican Centre, London, GBR

Heat Maps. Jack Shainman Gallery, New York, USA

2016

Heat Maps. Carlier Gebauer Galerie, Berlin, DEU

A Change of Place. The School, Kinderhook, Nueva York, USA

Richard Mosse: The Enclave. Nasher Museum of Art, North Carolina, USA

2015

The Enclave. DHL/ART Foundation for Contemporary Art, Montreal, CAN

The Enclave. Portland Museum of Art, Oregon, USA

The Enclave. Louisiana Museum of Modern Art, Humlebæk, DNK

2014

The Devil You Know. CAAM, Gran Canaria, ESP

The Enclave. Galleries UNSW, COFA, Sydney, AUS

The Enclave. Jack Shainman Gallery, New York, USA

The Enclave. FOAM, Amsterdam, NLD

The Enclave. Royal Hibernian Academy, Dublin, DEU

The Enclave. Buttler Gallery, Kilkenny, DEU

The Enclave. The Vinyl Factory, London, GBR

The Enclave. FotoMuseum Antwerp, Belgium, BEL

Fermata: Richard Mosse. The Indianapolis Museum of Contemporary Art, Indianapolis, USA

2013

The Enclave. National Pavilion of Ireland. 55th Venice Art Biennale, ITA

2012

Infra. Centre Culturel Irlandais, Paris, FRA

Infra. Galería Leyendecker, Tenerife, ESP

Richard Mosse: Infra. Open Eye Gallery, Liverpool, GBR

Richard Mosse: Infra. Weatherspoon Art Museum, North Carolina, USA

Richard Mosse: Infra. Mermaid Arts Centre, Co. Wicklow, Ireland, IRL

Infra. Savannah College of Art and Design, Hong Kong, CHN

2011

Infra. Jack Shainman, New York, USA

Terrible Beauty: Art Crisis, Change & The Office of Non-Compliance. Dublin Contemporary, Dublin, IRL

2010

Whatever Was Splendid. Fotofest 2010 Biennial, Houston, USA

2009

The Fall. Jack Shainman, New York, USA

End of History. Eigse Arts Festival, Carlow, IRL

2008

Airside. Jack Shainman, New York, USA

2007

Nothing to Declare. Derby University, Derby, GBR

2006

Richard Mosse. La Caja Blanca. Palma de Mallorca, ESP

EXPOSICIONES GRUPALES

2025

ARCO Madrid, Galería Leyendecker, Madrid, ESP

Second Nature: Photography in the Age of the Anthropocene, Nasher Museum of Art, Duke

University, Durham, NC, August 29, 2024 – January 5, 2025.

In a Light Breeze, Fondazione Memmo, Rome, Italy, December 14, 2024 – March 30, 2025.

ARCO Lisboa, Galería Leyendecker, Madrid, ESP

2024

16.436 Days. Galería Leyendecker, Santa Cruz de Tenerife, ESP

Vertigo: Video Scenarios of Rapid Changes, Fondazione MAST, Bologna, Italy, February 10 – June 30, 2024.

Silent Protest: Perspectives on War and Disability, Rollins Museum of Art, Winter Park, FL, January 20 – April 7, 2024.

(In)credible: Exploring Trust and Misperceptions, Sheldon Art Museum, Lincoln, NE, January 24 – July 7, 2024.

The Camera Never Lies: Challenging images through The Incite Project, Sainsbury Centre, University of East Anglia, Norwich, England, May 18 – October 20, 2024.

Poetic Record: Photography in a Transformed World, Hurley Gallery at Lewis Center for the Arts, Princeton University, Princeton, NJ, October 1 – December 5, 2024.

Enduring Amazon: Life and Afterlife in the Rainforest, The Momentary, Crystal Bridges Museum

of American Art, Bentonville, AR, November 18, 2023 – April 14, 2024.

2023

Dear Earth: Art and Hope in a Time of Crisis, Hayward Gallery, London, United Kingdom, June 21 – September 3, 2023.

X: A Decade of Collecting, 2012-2022, Sheldon Museum of Art, Lincoln, NE, January 27 – May 26, 2023.

Double Act, Centraal Museum, Utrecht, Netherlands, October 8, 2022 – January 15, 2023.

2022

When the well is dry, The Current, Stowe, VT, August 20 – December 10, 2022.

Fault Line: Art and the Environment, North Carolina Museum of Art, Raleigh, NC, April 2 – July 17, 2022.

Diversity United, New Tretyakov Gallery, Moscow, Russia, November 23, 2021 – March 9, 2022.

Ti con zero, Palazzo delle Esposizioni, Rome, Italy, October 12, 2021 – February 27, 2022.

2020

Fact and Fiction in Contemporary Photography, Joslyn Art Museum, Omaha, NE, February 8 – October 18, 2020.

Masculinities: Liberation through Photography. Groupis Bau, Berlin, DEU

DISPLACED: Contemporary Artists Confront the Global Refugee Crisis. SITE Santa Fe, USA

When Home Won’t Let You Stay: Migration through Contemporary Art, Boston, Massachusetts, October

23, 2019 – January 26, 2020. Travels to: Minneapolis Institute of Art, Minneapolis, Minnesota, February

22, 2020 – May 24, 2020. Cantor Arts Center, Stanford, California, September 20, 2020 – January 3, 2021.

MELTDOWN: Visualizing the Climate Crisis by Project Pressure, Horniman Museum & Gardens, November 23, 2019 – January 12, 2020.

2019

The Red Bean Grows in the South. Faurschou Foundation, New York, USA

Summer in the City. Martin Asbaek Gallery, Copenhagen, DNK

Civilization – The Way We Live Now. Ullens Center of Contemporary Art (UCCA), Beijing, CHN

Circular Flow On The Economy of Inequality. Kunstmuseum Basel, DEU

When Home Won’t Let You Stay: Migration. ICA Boston, Boston, USA

The World to Come. The University of Michigan Museum of Art (UMMA), Michigan, USA

Brave New World. Jack Shainman Gallery. New York, USA

How The Light Gets In, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, September

7th, 2019 – December 8th, 2019.

Meltdown – a visualization of climate change by Project Pressure, Natural History Museum Vienna,

Vienna, Austria, June 4 – September 8, 2019.

Brave New World: Till Freiwald, Vibha Galhotra, and Richard Mosse, Jack Shainman Gallery, New York City, NY, May 16- July 3, 2019.

Civilization: The Way We Live Now, National Museum of Modern and Contemporary Art, Seoul,

South Korea, October 18, 2018 – February 17, 2019.

The World to Come: Ethics and Aesthetics in the Anthropocene, Harn Museum of Art, Gainesville,

Florida, September 18, 2018 – March 3, 2019. Traveling to Michigan State Museum of Art, East Lansing, Michigan, April 27 – July 28, 2019.

how the light gets in, Herbert F. Johnson Museum of Art, Ithaca, NY, September 5 – December 8, 2019.

2018

Confusing Public and Private: The 3rd Beijing Photo Biennial, Central Academy of Fine Arts, Beijing, China, September 28 – November 28, 2018.

New Territory: Landscape Photography Today, Denver Art Museum, Denver, Colorado, June 24 – September 16, 2018.

Light in Wartime, Apexart, New York, NY, June 7 – July 28, 2018.

[CONTROL] NO CONTROL, Hamburger Kunsthalle, Hamburg, Germany, June 8 – August 26, 2018.

EXTREME. NOMADS, Museum für Moderne Kunst, Frankfurt, Germany, May 24 – September 9, 2018.

Dress Matters: Clothing as Metaphor, Tucson Museum of Art, Tucson, Arizona, October 21, 2017 – February 18, 2018.

NGV Triennial, National Gallery of Victoria, Melbourne, Australia, December 15, 2017 – April 15, 2018.

Prix Pictet, The Porter Gallery, The Victoria and Albert Museum, London, United Kingdom, May 6 -28, 2017. Traveling to:

LUMA Westbau, Zurich, Switzerland, September 22—October 20, 2017; Hillside Forum, Tokyo, Japan,

2017

November 23 – December 7, 2017; Mouravieff-Apostol House & Museum, Moscow, Russia, January 19 – February 18, 2018.

Time as Landscape: Inquiries of Art and Science, Cornell Fine Arts Museum of Rollins College, Winter

Park, Florida, September 29 – December 31, 2017.

The Art Show: Art of the New Millennium in the Taguchi Art Collection, The Museum of Modern Art,

Gunma, Japan, September 16 – November 12, 2017.

Ethics of Depiction: Landscape, Still Life, Human, Oakland University Art Gallery, Rochester, Michigan, September 9 – November 19, 2017.

Perpetual Revolution: The Image and Social Change, International Center of Photography, New York, January 27 – May 15, 2017.

Ravaged Sublime: Landscape Photography in the 21st Century, The Dayton Art Institute, Ohio, October 15, 2016 – January 8, 2017.

Uncertain States: Artistic Strategies in States of Emergency, Akademie der Künste, Berlin,

Germany, October 15, 2016 – January 15, 2017.

2016

Uncommon Likeness: Identity in Flux. Sheldon Museum of Art, University of Nebraska, Lincoln,

Nebraska, August 12 – December 31, 2016.

Biennale de l’Image Possible. Les Chiroux, Centre culturel de Liege, Liege, Belgium, August 20 – October 15, 2016.

Displacement: Symbols and Journey, Cornell Fine Arts Museum of Rollins College, Winter Park, Florida, May 20 – September 4, 2016.

The Shadow Never Lies, Shanghai 21st Century Minsheng Art Museum, Shanghai, China, April 30 – July 31, 2016.

Lille3000: Renaissance, Lille, France. September 26, 2015 – January 17, 2016.

Winter in America, The School, Kinderhook, New York, October 17, 2015 – March 19, 2016.

Dare You To Look: Radical Realizations in Portraiture, Burning in Water Art, New York, November 19, 2015 – January 9, 2016.

EIN BAUM IST EIN BAUM IST EIN BAUM…, Beck & Eggeling, Düsseldorf, Germany, November 6, 2015 – January 9, 2016.

Walkers: Hollywood Afterlives in Art & Artifact, Museum of the Moving Image, New York, November 7, 2015 – April 10, 2016.

2015

Status Quo, The School, Kinderhook, NY, January 31 – April 12, 2015.

American Soldier, The Nelson-Atkins Museum of Art, Kansas City, Missouri, January 23 – June 21, 2015.

Permanent War: The Age of Global Conflict, The School of the Museum of Fine Arts, Boston, (SMFA), January 29 – March 7, 2015 ésxatic photo, Samsøñ, Boston, January 8 – February 28, 2015

Questa è guerra! (This is war!), Fondazione Cassa di Risparmio di Padova e Rovigo, Padua, Italy, February 28 – May 31, 2015.

Fotografia Europea “Earth Effect” – 10th Edition, Reggio Emilia, Italy, May 15 – July 26, 2015.

Aperture: Photographs, Aperture Foundation, New York, June 29 – September 18, 2015.

Tech 4 Change: Artworks from the Statoil Art Programme. Vestfossen Kunstlaboratorium, Øvre Eiker, Norway, May 2 – October 4, 2015.

The Sensory War 1914–2014, Manchester Art Gallery, United Kingdom, October 11, 2014 – February 22, 2015.

Young Collections 02: Come and See – von Kelterborn Collection, Weserburg Museum of Modern Art, Bremen, Germany, October 9, 2014 – February 28, 2015.

2014

Counter Intelligence, Justina M. Barnicke Gallery, University of Toronto, Canada, January 23–March 16, 2014.

1+ 1 = 1: When Collections Collide. The Musée d’art contemporain at The Montreal Museum of Fine Arts,

Montreal Museum of Fine Arts, Montreal, February 21–June 15, 2014.

Fly Zone, Westbeth Gallery, New York, March 1–16, 2014.

Landscape, Museo di Arte Moderna e Contemporanea di Trento e Rovereto (MART), Italy, March 21– August 31, 2014. Curated by Gerardo Mosquera.

Contingency Plans, Shanghai Study Center, China, March 29–June 1, 2014. Curated by Adam Bobbette and Daan Roggeveen.

Conflict: Art and War, Contemporary Art Society, London, April 3–June 27, 2014. Curated by Midge Palley.

Shooting Range, FotoMuseum Provincie Antwerpen, Belgium, June 27 – November 11, 2014.

Deutsche Börse Photography Prize 2014––Richard Mosse, The Photographers’ Gallery, London, April 11–June 22, 2014. Traveling to: Deutsche Börse Headquarters, Frankfurt, July 17–September 26, 2014.

On Return and What Remains, Artspace, Woolloomooloo, Sydney, August 21 – October 12, 2014.

Phantoms in the Dirt, Museum of Contemporary Photography, Columbia College, Chicago, July 25– October 5, 2014.

Second Sight, The Irish Museum of Modern Art, Dublin, August 1–November 9, 2014.

Mise En Scène, The School, Kinderhook, NY, August – December 2014.

Unstable Territories, Centro di Cultura Contemporanea Strozzina (CCCS), Fondazione Palazzo

Strozzi, Florence, Italy, October 11, 2013–January 19, 2014.

Reality Based, Galeria Leyendecker, Canary Islands, Spain, November 11, 2013–May 11, 2014.

2013

Nonliteral: Artistic Positions on New Narratives, Atelierfrankfurt e.V., Frankfurt, Germany, January 11–July 11, 2013. Curated by Anita Beckers.

Changing States: Contemporary Irish Art & Francis Bacon’s Studio, Centre for Fine Arts, Brussels,

February 28 – May 19, 2013. (exhibition catalogue)

A Discourse on Plants, RH Gallery, New York, March 2–May 31, 2013.

Un-Drawn, Philadelphia Photo Arts Center, Pennsylvania, March 14–May 17, 2013.

White Boys: Some Perspectives, Haverford, Pennsylvania, March 22–May 3, 2013.

Manipulated, Gallery See, SCAD Atlanta, Georgia, September 3–December 27, 2013.

2012–2013 Contested Territories, Herter Art Gallery, University of Massachusetts, Amherst, October 26,

2012

January 3, 2013. Curated by Trevor Richardson.

Immortal Nature, Edel Assanti. London, January 26–March 3, 2012. Curated by Gordon Cheung.

Spectral Landscape with Viewing Stations / Color and Contemporary Art, Gallery 400, University of Illinois at Chicago, April 27–June 9, 2012. Curated by Pamela Fraser and John Neff.

Public: Collective Identity: Occupied Space, University of Toronto Art Centre, Canada, April 28–June 30, 2012.

Unnatural, Bass Museum of Art, Miami Beach, Florida, September 7–December 4, 2012.

Color Form, Brant Gallery, Massachusetts College of Art and Design, Boston. Curated by Edward

Monovich and Stephanie Cardon.

Things Beyond Our Control, Frederic Snitzer Gallery, Miami. Curated by Andrew Reed.

The Big Reveal, Kemper Museum of Contemporary Art, Kansas City, September 23, 2011–April 15, 2012.

2011

The Spectacle of War, The Empty Quarter Fine Art Photography, Dubai, March 14–April 30, 2011.

Crossing Boundaries: Photo-Film-Photo, Triennale der Photographie, Hamburg, April 1–6, 2011. Selected by William Ewing.

Going Where the Weather Suits My Clothes…A Fall of Light on Fabric, Mother’s Tankstation, Dublin, April 13–May 28, 2011.

Tracing the Unseen Border, La MaMa La Galleria, New York, April 21–May 22, 2011. Curated by Omar Chahoud Lopez and Ian Cofre.

New York Photo Festival, New York, May 11–15, 2011.

The Long View, Gallery of Photography, Dublin, Ireland, July 5–August 28, 2011.

Dublin Contemporary 2011–Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, various venues throughout Dublin, September 6–October 31, 2011. Curated by Jota Castro and Christian Viveros- Fauné.

FotoWeekDC, Pulitzer Center, Washington, D.C., November 5–12, 2011

With Hands and Feet, Torrance Art Museum, California. Curated by Aoife Rosenmeyer.

Regeneration2: Tomorrow’s Photographers Today, Musée de l’Élysée, Lausanne, Switzerland, June 19–September 26, 2010. Traveled to: Couvent Saint-Césaire, Rencontres d’Arles, Arles, France, July 3–September 19, 2010; Michaelis School of Fine Art, Cape Town, South Africa, July 27–September 30, 2010; Pingyao International Photography Festival, Pingyao, China, September 19–October 25, 2010; Flash Forward Festival, Toronto, Canada, October 6–10, 2010; Fotoweek, Washington, D.C., November 6–13, 2010; Centre Gallery, Miami Dade College, Florida, December 3–18, 2010; Galleria Carla Sozzani, Milan, Italy, November 6, 2010–January 9, 2011; Aperture Foundation, New York, January 21–March 17, 2011; Galerie Azzedine Alaïa, April 6–May 22, 2011; Pékin Fine Arts Gallery, Caochangdi Photospring Festival, Beijing, April 23–June 21, 2011; Musée Batha, Recontres Internationales de la Photo, Fez, Morocco, May 11–31, 2011; Fototeca del Centro de las Artes, Monterrey, Mexico, June 16–August 21, 2011. Curated by William A. Ewing and Nathalie Herschdorfer. (Catalogue)

2010

NY/Prague 6, Futura Center for Contemporary Art, Prague, January 13–February 24, 2010. Curated by Omar Lopez-Chahoud.

Para Bellum 12mm, Ca l’Arenas, Museu de Mataró, Barcelona, February 5–March 21, 2010. Curated by Andrea Aguado.

Landscapes of Quarantine, Storefront for Art and Architecture, New York, March 10–April 24, 2010.

Curated by Geoff Manaugh and Nicola Twilley.

Guatephotofestival, Carlos Mérida Museum of Modern Art, Guatemala, July 6–31, 2010. Curated by Adriana Teresa.

Postcards from the Celtic Tiger, Xuhui Art Museum, Shanghai, China, July 23–31, 2010. Curated by Peggy Sue Amison.

B-Sides: A Dialogue with Contemporary U.S. Photography, FotoFest Headquarters Gallery, Houston, October 21–December 11, 2010.

Leben Elementar, Fototriage Trier. Curated by Christophe Tannert.

Lost & Found, Theatrum Anatomicum, Amsterdam

ORT, Kunsthalle Munich, Germany. Curated by Martin Fengel and Jorg Koopman

2009

Embedded Art, installation of Aesthetics of Terror, Akademie der Kunste, Berlin

The Dialectics of Terror, Chelsea Art Museum, New York, November 21, 2008–January 31, 2009.

2008

New Insight: Selected Work from America’s 12 Leading Art Schools, Art Chicago, Illinois, May 1–4, 2008.

Yale Photo MFA thesis show, Green Gallery, Yale School of Art, New Haven, Connecticut, May 16–27, 2008.

Yale MFA Photography 2008, Danziger Projects, New York, May 27–31, 2008.

Media Matters, Friedrich Kittler and Technoculture, Tate Modern, London, June 27–28, 2008.

Yale MFA photography 2008, Gallery 339, Philadelphia, July 11–September 6, 2008.

Embedded Art, Akademie der Kunste, Berlin

Selected Video Art from Yale, LOOP Barcelona

2007

C International Photo Magazine, Phillips de Pury, New York, September 7–26, 2007.

Fraternity, Jam Art 07, Palma de Mallorca, Spain

2006

Palestine Film Festival, Barbican Centre, London, UK

2005

Bloomberg New Contemporaries 2005, Barbican Art Gallery, London. Traveled to: Cornerhouse

Manchester, United Kingdom; Spike Island Bristol, United Kingdom.

International Artist Workshop, Palestinian Ministry of Culture, Ramallah

Perspective, Ormeau Baths Gallery, Belfast, Ireland

Postgraduate Diploma thesis show, Goldsmiths, University of London, UK

2004

It Went Dark & I Saw, Photodebut group show, London College of Communications Open #20, Cafe Gallery Projects, London

2003

Camden People’s Theatre, London